What is the difference between the TLM 102 and the TLM 103?
TLM 102 vs 103 They’re identical in terms of features (i.e., they have none); as far as size goes, the 103 is the bigger and heavier of the two. Really, though, sound quality should be more of a concern than size. The 103 generates 7 dB A of self-noise compared to the 102’s 12 dB A.
Is TLM 102 good for vocals?
Essentially, the Neumann TLM 102 is a compact, large-diaphragm condenser mic with plenty of versatility. It’s been designed to withstand high levels of sound pressure – i.e. volume – meaning it will work well with guitar amp cabinets or acoustic drums, but it’s perhaps best suited to recording vocals.
Does TLM 102 need phantom?
Requires +48V phantom power.
Is the TLM 103 worth it?
The transformerless design results in a very clean and precise sound. This microphone has a very impressive max SPL of 138dB. This means that it does very well with recording extremely loud sources with no pre-attenuation required. On the other hand, it does great recording very quiet sources due to its low self-noise.
Does TLM 102 need Shockmount?
Some newer microphones, such as the Neumann TLM 102, sport an internal shock mount, i.e. the capsule mount is shock absorbent. This helps to make a clean recording, but an (additional) external shock mount is much more effective. The original EA 1 shock mount is specifically designed for the Neumann TLM 103.
When did TLM 102 come out?
October, 2009
The TLM 102 is a new compact FET condenser microphone, released at the AES show in October, 2009. The mic’s design goals were to provide a high-SPL, large-diaphragm, neutrally-voiced transducer in a very small physical package.
Is the Neumann TLM 102 good for acoustic guitar?
Neumann TLM-102 Microphone As a large-diaphragm condenser, the TLM-102 is great at acoustic guitars and vocals, with a slight boost at 6kHz adding some extra sparkle.
Does TLM 103 need phantom power?
Do you need Shockmount?
Using a shock mount is always recommended. There is nothing worse than ruining your magic take and it is always better to play it safe. Especially when your microphone is placed on a table and when you move a lot in the area of your microphone, a shock mount is important to have.
Is a pop filter necessary?
Pop filters are necessary for anything voice related. It helps with sounds such as ‘P’ and ‘B’; This is called plosives. Plosives is extra air going onto the microphone causeing a very annoying heavy breath/bass sound. If you care about audio quality and you want to be great at what you do, get a pop filter.
Does shockmount make a difference?
A microphone shock mount helps to avoid ruining a good recording. Any contact with the microphone creates a low-frequency rumble, also called structure-borne noise. Structure-borne noise can be caused by wind, a moving cable, by stomping on the floor, a passing truck, etc.