Who played bass on Smackwater Jack?
Chuck Rainey
Jurek described Grady Tate’s drum breaks as “funky”, Arthur Adams’ guitar playing as “tough street guitar” and Chuck Rainey’s bass guitar as “popping and bubbling under the entire mix”. The Manhattan Transfer covered “Smackwater Jack” for the 1995 album Tapestry Revisited: A Tribute to Carole King.
Who wrote backwater Jack?
Gerry GoffinSmackwater Jack / LyricistGerald Goffin was an American lyricist. Collaborating initially with his first wife, Carole King, he co-wrote many international pop hits of the early and mid-1960s, including the US No.1 hits “Will You Love Me Tomorrow”, “Take Good Care of My Baby”, “The Loco-Motion”, and “Go Away Little Girl”. Wikipedia
Who Wrote You Make Me Feel Like a Natural Woman?
Jerry Wexler
Gerry GoffinCarole King
(You Make Me Feel Like) A Natural Woman/Composers
What is the song Smackwater Jack about?
Smackwater Jack (song) Rolling Stone critic Jon Landau described “Smackwater Jack” as an “uptempo shuffle .”. The lyrics tell the story of a confrontation between the outlaw Smackwater Jack and Big Jim the Chief. In that way it differs from the other songs on Tapestry, which are more personal and based on expressing emotions.
Who sang the song Smackwater Jack?
Quincy Jones covered “Smackwater Jack” as the title track of his 1971 album Smackwater Jack. taut, funky soul style. Jurek described Grady Tate’s drum breaks as “funky”, Arthur Adams’ guitar playing as “tough street guitar” and Chuck Rainey’s bass guitar as “popping and bubbling under the entire mix”.
What artists have covered Smackwater Jack?
The Manhattan Transfer covered “Smackwater Jack” for the 1995 album Tapestry Revisited: A Tribute to Carole King. Buffy Sainte-Marie covered it on her 1971 album She Used to Wanna Be a Ballerina, on which she was accompanied only by her own piano playing.
How is Smackwater Jack different from other tapestry songs?
Smackwater Jack (song) In that way it differs from the other songs on Tapestry, which are more personal and based on expressing emotions. But author James Perone claims that it still fits into the album by being the one song on which King’s piano blends in with the other instruments on the song.